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By Gilbert Murray

Initially released in 1897. This quantity from the Cornell college Library's print collections was once scanned on an APT BookScan and switched over to JPG 2000 layout by way of Kirtas applied sciences. All titles scanned conceal to hide and pages might contain marks notations and different marginalia found in the unique quantity.

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Can we see more closely what it effected? It prescribed a certain order, and it started a tendency towards an official text. It is clear that adherence to the words of the text was not compulsory, though adherence to the 'story' was. It seems almost certain that the order so imposed was not a new and arbitrary invention. It must have been already known and approved at Athens; though, of course, it may have been only one of various orders current in the different Homeric centres of Ionia, and was probably not rigid and absolute anywhere.

When we add that in the usage of all the authors who speak of this Panathenaic recitation, ' Homer' means simply, and as a matter of course, the Iliad and the Odyssey, the conclusion inevitably suggests itself that it was these two poems alone which were selected for the recitation, and that it was the recitation which gave them their unique position of eminence as the 'true' Homer. Why were they selected? One can see something, but not much. To begin with, a general comparison of the style of the rejected epics with that of our two poems suggests that the latter are far more elaborately 'worked up' than their brethren.

The Corpus Inscriptionum Grœcarunz. In a few cases I have used abbreviations for a proper name, as W. M. for Wilamowitz-Moellendorff, but not, I think, in any context where they are likely to be misunderstood. Among the friends who have helped me with criticisms and suggestions, I must especially express my indebtedness to Mr. GEORGE MACDONALD, lecturer in Greek in this University, for much careful advice and correction of detail throughout the book. GILBERT MURRAY. GLASGOW, February 1897. ] -xviii- CONTENTS I.

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