By H. G. Wells
Whereas strolling within the Swiss Alps, English visitors fall right into a space-warp, and unexpectedly locate themselves in one other global. in lots of methods kind of like our personal - even right down to the characters that inhabit it - this new planet continues to be by some means notably diversified, for the 2 walkers are actually upon a Utopian Earth managed by way of a unmarried international govt. right here, as they quickly research, all proportion a typical language, there's sexual, fiscal and racial equality, and society is governed via socialist beliefs enforced by means of an austere, voluntary elite: the 'Samurai'. yet what's going to the Utopians make of those new viewers from a much less ideal international?
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Extra info for A Modern Utopia (Penguin Classics)
And, like the lady of this story, as Ivan Ilyich receives the last sacrament, he is momentarily tempted by the promise of a curative operation. A decade after writing “Three Deaths,” in August 1869, soon after finishing War and Peace, Tolstoy heard of land for sale in the distant Penza province. As he wrote later, “I wanted to buy an estate so that the income from it, or the timber on it, should cover the whole purchase price and I should get it for nothing. ” In high good humor, he set out with one servant and decided to cover the long last lap of the journey without stopping.
Schwartz, a colleague, was on his way downstairs. ” Schwartz’s face with its English side-whiskers, and indeed his entire figure, slim in evening dress, wore its usual air of elegant solemnity—a solemnity which was constantly contradicted by Schwartz’s jocular character, acquiring a particular piquancy in the present setting. Or so Piotr Ivanovich thought. Piotr Ivanovich allowed the ladies to pass before him and followed them slowly upstairs. Schwartz did not come down but waited at the top. Piotr Ivanovich understood why: he wanted to arrange where they would play cards that evening.
Moreover, Tolstoy is well aware that suffering is destructive as well as redemptive. Everything irritates Ivan Ilyich. [H]e could feel his own anger killing him but was unable to restrain himself. You might think he should have realized that his fury against people and circumstances aggravated his illness and consequently he should avoid paying attention to any unpleasantnesses, but his reasoning went the opposite way—he said he needed peace of mind, scrutinized everything that might disrupt his peace of mind, and the slightest disruption infuriated him.